Swansea sea, print & Scribble

During a June heatwave, a gentle breeze off the sea helps make a good day out with friends.  Last Saturday was also special, because three of us were converging on the Swansea Print Workshop to become part of Rose Davies’ project of drawing 100 baby boomers (that is, people born between 1946 and 1964).  We arrived via the maritime quarter.

Apart from her art, popularised in her blog, Rose has a storyteller’s grasp of the history of things, of which there are many in the Print Workshop.  Gorgeous iron mechanical beasts from the past, each with its own tales.

The Columbian Press dates from 1853. Owen (below) was silk screening on a modern press.

I’ve never sat for a portrait and it was intriguing. I felt my face changing from the one I think I look like into a kind of “maintenance” face, more comfortable and stable.  Even the short time Rose took had me thinking that one eye was watering and my throat tickling. Models do a tough job, posing still.  For a “proper” portrait, this drawing would be one of many and sittings would be about 9 hours though less with photographs. The artist has  power – maybe a perceived challenge to power was why Winston Churchill hated the Graham Sutherland 1954 portrait to its destruction.  I trusted Rose, and she has a good project with its focus.

We ate Rose’s delicious lemon and (hubby’s own) elderflower cordial cake, bought some cards, went to the beach, paddled in the sea and picked up shells, had a lager and chatted on the train back while younger travellers were glued to their phones. I did get my phone out to do my World Cup Fantasy Football transfers.

 

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Snow on St David’s Day

Everyone and their dog takes photos of snow, to which I am adding my own from getting to my horse from home in Efail Isaf.

This was the gradual development of snow around March 1st, St David’s Day – a day usually more about daffodils and spring.  Some gorgeous skies one day, then flurries across the fields the next.

By Thursday, the flurries were swirling fast and cold around our house.

      

Thursday was bitter, and my horse was lucky to have some hours out in the field with two others.  On Friday, I expected to walk the mile or so to the yard.  Luckily, Keith from Ty Newydd had cleared the lane up to his yard, and I left my Rav4 there, immediately testing leg muscles through thick untrodden snow on the lane. This is by the old road over the Garth, near the T-junction with Maesmawr Road. (Friday update: Alex from our stable cleared the rest of the road, but Maesmawr Road was totally blocked.)

It all looks very pretty and is fun for sledging.  The horses still need their stables done, muck pushed up the heap, and more straw, haynets and water added.  My fussy horse wussed out on his dinner because he didn’t like the snow coming under his door. (He ate it when it was moved.)  Water is stored under straw, but freezes quickly and is checked regularly.

Bo is wearing his heavyweight 400g turnout rug (even warmer than his thickest stable rug) in silver with a blue trim and a silver-intereactive lining.  He’s snug and his ears warm.

It was time for me to brave the walk back after a quick hot drink from my flask.

Then it was back home for me, the drifts being easily over the knee on parts of the farm lane.

 

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Tower Regeneration: a site visit

Tower Colliery has now closed, and the site is being restored through Tower Regeneration Limited (TRL).  I have been to one working group meeting, representing Open Spaces Society (as the Local Correspondent for Rhondda Cynon Taf), and last Friday we had a site visit.

The whole Tower site is about 250 hectares close to Hirwaun and Rhigos villages, and over a third will be put in trust for local people’s use.  The caption above some photographs of the site reads “If you think you are a person of influence, Try ordering my dog around.”

We were visiting the former tip 107, which straddles the bypass.  TRL have created ponds and nature has been taking the tip back. Our group included the RCT ecologist Richard, tourism Ceri and regeneration officers, community councillor,  Natalie Sargent from Coalfields Regeneration Trust and, of course, our guides from TRL, and the dog.

Since restoration began, the trees around the ponds have grown high and might hinder creating a more accessible route.  (Later, I remembered my Kilvey Hill friend Blod and his horse Macsen who are trained loggers – maybe that’s a solution to tidy the birch and remove blackthorn.)  The present path is made by using rubber and topped off to create a solid enough surface for walkers.

The nearby A465 and smaller roads are background noise to observing the diverse plants and fish, we were told, in the ponds.  Like much of the Valleys, it is beautiful. On the far side of the pond is a stone bridge, with fossils, and then we walked up a slope where conifers have failed to establish (“probably a good thing” Richard the ecologist said, because many plants he hopes to see like poor soils).

That was the smaller triangle before we went under the A465. There’s parking available and the area could house various facilities and create jobs. I liked the tyres and reflections.

On the other side is a huge concreted area where buildings have been demolished, and the old railway line. Everything opens up – or maybe it was the sun.  The wind was bitter.

We walked along and round the top of the site, groups chatting and getting split. there’s still the odd tangle of iron.

At the far end, we climbed back over the other side of the low hill. It is a massive area and could include a multi user path.  I’ve looked out the leaflets by British Horse Society and Sustrans on good designs.  Runners, cycling and horse riding or driving could all be accommodated and linked to other trails.

There’s a ridge of land with the road below, with great landscapes and also so many tiny flowering lichens making subtle colours under our feet.

TRL want people who “will do” actions to add to the success and sustainability of the project.  I specifically want to see rights of way – probably multi user, bridleways or byways – designed into it and on the Definitive Map, and a status for the land which will protect it for the people of Hirwaun and Rhigos, well, the Valleys really, forever.

 

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“Landmarks” at Made in Roath

Made in Roath has an annual October festival which has a brilliant range of open exhibitions, happenings and events from dawn to dusk – all free to the public.

My highlight this year was “Landmarks” by Unity and Rufus Musafa  who have had fun combining Unity’s hip-hop graffiti-style art with Rufus’ rapper-style poetry and lyrics.

They performed at Inkspot in their exhibition space, which was like a warm green fairy glen.  Unity worked the loopback and tech.  Rufus is bilingual and I loved listening to her in Welsh with the language rhythms.

Landmarks refers to the weeding of words from the Oxford Junior Dictionary, which Robert McFarlane (among others) had noticed removed many words of nature: bluebell, otter, catkin …. to make way for digital words.

I think these are two fantastic creative women.  Rufus was at the Worker’s Gallery, Ynyshir, 3rd birthday do last Sunday, improvising with Bel Blue and it was amazing.  I’m writing up an interview with Unity for the next Women’s Arts Association Newsletter, which will be interesting.

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Western Communities, Bridgend: talking about Open Spaces

I was really pleased to get an invitation to talk about Open Spaces Society at the Westward Community Centre, thanks to Councillor Charles Smith.

I first met Charles as the chair of Save Morfa Beach and he held together a formidable range of users of the beach who saved the footpath access along a track through land owned by Tata Steel in Neath Port Talbot.

The Western Bridgend Communities Group was involved in another successful campaign: to save their green spaces from predatory development by the housing association Valleys 2 Coast (V2C).  The planning applications were on land given in 2003 by the council to V2C along with the estate: the green spaces have been used as town or village greens ever since the estates were built.

Of course, in a decent world, these greens would be dedicated as town and village greens by V2C.  It was a terrible error for the councils to have failed to get them registered.  The well-designed estates of Cefn Cribwr and Cefn Glas campaigned, with Open Spaces Society in support, and gained refusal of the proposed developments earlier this year.  The application for Lower Llansantffraid, Sarn (below) was withdrawn.

I had a very enjoyable time talking about Open Spaces Society and what we do, using local examples.  Western Bridgend Communities Group are OSS members, and set a high standard for looking after their green spaces.

The Future Generations Act may provide the policy framework in Wales for councils to claw back some protection of these greens within local development plans and planning guidance.

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Looking for commitment on Footpath 48a in Tonteg

Local Correspondents for Open Spaces Society have opportunities to object to any path orders, and I have had to refuse to withdraw objections to an order to extinguish a footpath through a new estate in Tonteg in Rhondda Cynon Taf.  I posted about this before, in March 2013, March 2015 and February this year as the site was developed.

There is good news and not-so-good news.  The good news is that the developer has removed the wooden fence across the path where it offers a short walk to the shops on Main Road instead of a long drive round from the estate.

I have been sent the full layout for a green space and pavement and this now includes a cycle path as well as a pleasant area to walk through, roughly on the same route as Footpath 48a.  So far, these are proposals and to some extent visible on the ground (with lots of metal fencing).

There is still an issue of commitment to pedestrian enjoyment of the route, with kerb levels relative to the unfinished road surface level tempting to car drivers who seem to think that pavement are nice places to park. Are the kerbs going to be high enough?

Will the green spaces be defended? Already, strange works have appeared suggesting possible entrances across a green area. One moment all is well, then not so.

I remain skeptical about these things though hopeful.  I asked and have been assured that the “cycle path and that length of the footpath that proceeds from the estate to the community route has been passed onto the Transport Planning team  for possible inclusion in RCT’s draft Integrated Map Network (INM)”.

If all is done, it should improve the health and well-being on the estate and save a few car journeys.  I dare not back off yet, having been caught out by empty promises before, although, with the Welsh Future Generations Act, and our Active Travel Act in place, the council and I should be in agreement.

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“Parochial Artist” Gayle Rogers at Cynon Valley Museum, Aberdare

Cynon Valley Museum and Gallery work hard, in their modern guise of a trust, to maintain Aberdare’s reputation for culture. One of the Valleys’ artist activists, Dr Gayle Rogers, has a solo exhibition there until July 8th 2017. Anyone who loves the valleys’ wild landscapes will feel an echo with her work if they visit – it’s free.

I went on Saturday, when Gayle was there all day with a stream of visitors. She has called her show “The Parochial Artist”.

She explains that a politician sent her an email with the sentence “Parochialism is the death of humanity”: her work does capture the local but in an honest and positive way and is not narrow in scope.  For example, far from death, the new life of renewables (at Pen y Cymoedd) emerges in the mist.

The same views – Afan valley, Mardy, Rhigos – are revisited in different seasons or (of course in Wales) in different volumes of rain from mist to downpour.

The works, mostly in pastels, charcoal and watercolour, are plein air or done in the field rather than in a studio.  There are photos of the artist at work.

There are also monotype prints.

Gayle’s activist and feminist wit is also represented, as well as a nod to her well-known brightly coloured prints and mugs.  The mugs which members of the Workers Gallery in Ynishir receive each year are limited editions to make a set over 4 years.

Cynon Valley Museum and Gallery has a freindly welcome, and plenty of local craft gifts and cards (always a good thing to buy).

They seem very accommodating of local art, and actively support equality.  There are also books and a cafe.

The gallery, like the ones in the Muni in Pontypridd and Rhondda Heritage Park, faced closure from austerity forced on Welsh councils.  People like Gayle petitioned and organised to keep them open.  There’s a story to be told, and a big change to these formerly public assets.  How sad that councils see public assets, like museums and open spaces, as troublesome costs.  They may come to regret that but too late.

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